Tim Wilson
contact at timwilsonfineart@gmail.com
Education
1990 MFA Parsons School of Design, New York, New York
Painting and Drawing. Teachers: Leland Bell, Paul Resika, Jack Helliker.
1980 BFA Bowdoin College, Brunswick, Maine, Magna Cum Laude,
Departmental High Honors: Painting, Drawing and Printmaking.
Teachers: Tom Cornell, Gerard Haggerty, Joseph Nicoletti.
Selected Solo Exhibitions
2019 Curtis Library, Morrell Room - September
2019 Auburn Harpswell Colony Association
2018 Blue Phoenix Cafe, Lexington, Virginia - May
2012 Studio 11, Lexington, Virginia, “The Exiles of Nature: The Exiles of Baha’u’llah”
2005 Auburn Harpswell Colony Association, Harpswell, Maine.
2004 Visual Arts Center, Bowdoin College, Brunswick, Maine.
2004 A Showing of Paintings and Prints, 200 Beach Street, Tavernier, Florida.
2003 Cohasset Consignment Shop, Cohasset, Massachusetts.
2001 Flow Zone Cafe, Hull, Massachusetts
1999 Eliot Bay Books and Cafe, Seattle, Washington.
1998 Baha’i Faith Information Center, Issaquah, Washington.
1994 H. Pelham Curtis Gallery, New Canaan, Connecticut.
1992 Gallery 617, Seattle, Washington
Orbit Gallery, Portland, Oregon.
1990 Kent Place School, Summit, New Jersey.
1982 Learning Resource Center, University of Maine, Orono, Maine - Juried.
1981 Visual Arts Center, Bowdoin College, Brunswick, Maine.
Selected Group Exhibitions
2017 Auburn Harpswell Colony Association Biennial, South Harpswell, Maine
2015 Auburn Harpswell Colony Association Biennial, South Harpswell, Maine
2014 Studio 11, Lexington, Virginia.
2013 Studio 11, Lexington, Virginia.
2009 “Care For Your Child”, The Harlow Gallery, Hallowell, Maine,
and the Round Top Farm Art Center, Damariscotta, Maine - Juried.
2007 The A Gallery, Harpswell, Maine.
Caroline York World of Art Online Gallery, St. Petersburg, Florida.
2006 Franciska Needham Gallery, Damariscotta, Maine.
The A Gallery, Harpswell, Maine.
Caroline York World of Art Online Gallery, St. Petersburg, Florida.
2005 Caroline York World of Art Online Gallery, St. Petersburg, Florida.
The A Gallery, Harpswell, Maine.
2004 The A Gallery, Harpswell, Maine.
Florida Home Show, Tampa Bay Convention Center, Tampa, Florida.
2004 South Shore Art Center, Cohasset, Massachusetts.
2003 Janet Lang Art Booth, Key Largo, Florida.
2002 The A Gallery, Harpswell, Maine.
2001 South Shore Art Center, Cohasset, Massachusetts.
2000 The A Gallery, Harpswell, Maine.
1999 Millennium Gallery, East Hampton, New York.
1998 Franciska Needham Gallery, Damariscotta, Maine.
1997 Franciska Needham Gallery, Damariscotta, Maine.
1996 Millennium Gallery, East Hampton, New York.
1995 Uptown Gallery, New York, New York.
1994 Millennium Gallery, East Hampton, New York.
ACE Gallery, Vancouver, British Columbia.
1993 Pioneer Square Books, Seattle, Washington.
1992 “Four Artists Play With Color”, Gallery 617, Seattle, Washington.
1991 Franciska Needham Gallery, Damariscotta, Maine.
1990 “Maine Artists Premier Exhibition”, Wyomissing Institute of Fine Arts,
Wyomissing, Pennsylvania. Curated by Franciska Needham.
1989 “Social Concerns in America”, Franciska Needham Gallery, Maine.
1988 Michael Ingbar Gallery, New York, New York.
1987 Gallery Artists, Godolphin Gallery, Dublin, Ireland.
1986 Dromahair Gallery Workshops, Dromahair, Ireland.
National Arts Club, New York, New York,
Curated by Jon-Henri Bonnard.
1985 ‘Under the Bridge”, Onyx Gallery, Brooklyn, New York.
Belanthi Gallery, Brooklyn, New York.
1984 Gallery Artists, Gallery 19, Rockport, Maine.
1983 New Tuckahoe Public Library, Tuckahoe, New York.
Other Artists: Esther Gentle and Allen Leepa.
1982 Sloan Gallery, Tulsa, Oklahoma.
1981 Maine Biennial Invitational, Colby College, Waterville, Maine.
1980 The Peale House, Philadelphia, Pennsylvania, Juried.
Special Studies/Awards
1987 Art Students League, Artistic Anatomy, Summer Session,
New York, New York.
1983-84 Apprenticeship to John Charles Ford, New York, New York.
1982-83 Apprenticeship to Esther Gentle, New York, New York.
1981-82 USC, Los Angeles, California, Partial Tuition Waiver MFA
Program in Lithography and Painting.
1980 Honorable Mention Award, Skowhegan School for Painting and Sculpture, Skowhegan, Maine.
The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Spring Semester.
1978 The New York Studio School for Painting and Sculpture, New York, New York. Summer session,
Painting and Drawing. Teacher: Leland Bell.
1975-76 Apprenticeship to Stephen Etnier, Summers in Harpswell, Maine.
Collections
Private, Corporate, in the United States, Canada and Europe
Selected Bibliography
New Canaan Advertiser, October 20, 1994, p.23, section A, Weiss, Marion Wolberg.
DANS PAPERS, East Hampton, New York, September 23, 1994, p.57
The Sunday Oregonian, February 1992, section B
The Oregonian, December 27, 1991, p.28
Portland Downtowner, December 30, 1991, p.9
Drake, Shelly, “Today’s Realists Use Abstraction”, Artspeak, May 1988, p.14
Firestein, Cecily Barth, “This Side of the Bridge”, Artspeak, July 1985, p.1
Poroner, Palmer, “Perspectives: New York as an Art Center”, Artspeak, June 1985, p.6
E.C. Lipton, “When a Collector Selects”, Artspeak, June 1985, p.4
contact at timwilsonfineart@gmail.com
Education
1990 MFA Parsons School of Design, New York, New York
Painting and Drawing. Teachers: Leland Bell, Paul Resika, Jack Helliker.
1980 BFA Bowdoin College, Brunswick, Maine, Magna Cum Laude,
Departmental High Honors: Painting, Drawing and Printmaking.
Teachers: Tom Cornell, Gerard Haggerty, Joseph Nicoletti.
Selected Solo Exhibitions
2019 Curtis Library, Morrell Room - September
2019 Auburn Harpswell Colony Association
2018 Blue Phoenix Cafe, Lexington, Virginia - May
2012 Studio 11, Lexington, Virginia, “The Exiles of Nature: The Exiles of Baha’u’llah”
2005 Auburn Harpswell Colony Association, Harpswell, Maine.
2004 Visual Arts Center, Bowdoin College, Brunswick, Maine.
2004 A Showing of Paintings and Prints, 200 Beach Street, Tavernier, Florida.
2003 Cohasset Consignment Shop, Cohasset, Massachusetts.
2001 Flow Zone Cafe, Hull, Massachusetts
1999 Eliot Bay Books and Cafe, Seattle, Washington.
1998 Baha’i Faith Information Center, Issaquah, Washington.
1994 H. Pelham Curtis Gallery, New Canaan, Connecticut.
1992 Gallery 617, Seattle, Washington
Orbit Gallery, Portland, Oregon.
1990 Kent Place School, Summit, New Jersey.
1982 Learning Resource Center, University of Maine, Orono, Maine - Juried.
1981 Visual Arts Center, Bowdoin College, Brunswick, Maine.
Selected Group Exhibitions
2017 Auburn Harpswell Colony Association Biennial, South Harpswell, Maine
2015 Auburn Harpswell Colony Association Biennial, South Harpswell, Maine
2014 Studio 11, Lexington, Virginia.
2013 Studio 11, Lexington, Virginia.
2009 “Care For Your Child”, The Harlow Gallery, Hallowell, Maine,
and the Round Top Farm Art Center, Damariscotta, Maine - Juried.
2007 The A Gallery, Harpswell, Maine.
Caroline York World of Art Online Gallery, St. Petersburg, Florida.
2006 Franciska Needham Gallery, Damariscotta, Maine.
The A Gallery, Harpswell, Maine.
Caroline York World of Art Online Gallery, St. Petersburg, Florida.
2005 Caroline York World of Art Online Gallery, St. Petersburg, Florida.
The A Gallery, Harpswell, Maine.
2004 The A Gallery, Harpswell, Maine.
Florida Home Show, Tampa Bay Convention Center, Tampa, Florida.
2004 South Shore Art Center, Cohasset, Massachusetts.
2003 Janet Lang Art Booth, Key Largo, Florida.
2002 The A Gallery, Harpswell, Maine.
2001 South Shore Art Center, Cohasset, Massachusetts.
2000 The A Gallery, Harpswell, Maine.
1999 Millennium Gallery, East Hampton, New York.
1998 Franciska Needham Gallery, Damariscotta, Maine.
1997 Franciska Needham Gallery, Damariscotta, Maine.
1996 Millennium Gallery, East Hampton, New York.
1995 Uptown Gallery, New York, New York.
1994 Millennium Gallery, East Hampton, New York.
ACE Gallery, Vancouver, British Columbia.
1993 Pioneer Square Books, Seattle, Washington.
1992 “Four Artists Play With Color”, Gallery 617, Seattle, Washington.
1991 Franciska Needham Gallery, Damariscotta, Maine.
1990 “Maine Artists Premier Exhibition”, Wyomissing Institute of Fine Arts,
Wyomissing, Pennsylvania. Curated by Franciska Needham.
1989 “Social Concerns in America”, Franciska Needham Gallery, Maine.
1988 Michael Ingbar Gallery, New York, New York.
1987 Gallery Artists, Godolphin Gallery, Dublin, Ireland.
1986 Dromahair Gallery Workshops, Dromahair, Ireland.
National Arts Club, New York, New York,
Curated by Jon-Henri Bonnard.
1985 ‘Under the Bridge”, Onyx Gallery, Brooklyn, New York.
Belanthi Gallery, Brooklyn, New York.
1984 Gallery Artists, Gallery 19, Rockport, Maine.
1983 New Tuckahoe Public Library, Tuckahoe, New York.
Other Artists: Esther Gentle and Allen Leepa.
1982 Sloan Gallery, Tulsa, Oklahoma.
1981 Maine Biennial Invitational, Colby College, Waterville, Maine.
1980 The Peale House, Philadelphia, Pennsylvania, Juried.
Special Studies/Awards
1987 Art Students League, Artistic Anatomy, Summer Session,
New York, New York.
1983-84 Apprenticeship to John Charles Ford, New York, New York.
1982-83 Apprenticeship to Esther Gentle, New York, New York.
1981-82 USC, Los Angeles, California, Partial Tuition Waiver MFA
Program in Lithography and Painting.
1980 Honorable Mention Award, Skowhegan School for Painting and Sculpture, Skowhegan, Maine.
The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Spring Semester.
1978 The New York Studio School for Painting and Sculpture, New York, New York. Summer session,
Painting and Drawing. Teacher: Leland Bell.
1975-76 Apprenticeship to Stephen Etnier, Summers in Harpswell, Maine.
Collections
Private, Corporate, in the United States, Canada and Europe
Selected Bibliography
New Canaan Advertiser, October 20, 1994, p.23, section A, Weiss, Marion Wolberg.
DANS PAPERS, East Hampton, New York, September 23, 1994, p.57
The Sunday Oregonian, February 1992, section B
The Oregonian, December 27, 1991, p.28
Portland Downtowner, December 30, 1991, p.9
Drake, Shelly, “Today’s Realists Use Abstraction”, Artspeak, May 1988, p.14
Firestein, Cecily Barth, “This Side of the Bridge”, Artspeak, July 1985, p.1
Poroner, Palmer, “Perspectives: New York as an Art Center”, Artspeak, June 1985, p.6
E.C. Lipton, “When a Collector Selects”, Artspeak, June 1985, p.4
